Should you release a CD or an EP?

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Ever since attending last Saturday’s interview with John Oates, I’ve been talking to folks about the pros and cons of working on albums vs. EPs. There’s a school of thought among music promotion professionals right now that you might not even want to focus on EPs, choosing instead to release a steady stream of singles. [...]

Gamification in reverse: a music business where charts mean less

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Folks have been talking to me a lot lately about “gamification.” It’s a popular business trend that hopes to leverage the video game habits of recent generations into stronger workplace productivity. Take a set of tasks that would otherwise sound pretty boring: making phone calls or filing TPS reports. Then, turn it into a game. [...]

Three essential qualities of a successful indie record label

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When I ran Handwritten Records in the 90s with my friend Kristen, indie labels still had a clear role in the music business. I was a production geek with access to a studio and a mass CD duplication machine, and Kristen handled the A&R. It was pretty clear, back then, how we could add value [...]

Five things John Oates taught me about the new music business

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The Philadelphia Chapter of The Recording Academy welcomed Temple alum John Oates back to campus last Saturday night, for an intimate acoustic performance and an interview conducted by my friend and former colleague, Gene Shay. Mississippi Mile is Oates’ tribute to the songs that shaped his songwriting and performing career, and it lands in retailers [...]

What Rebecca Black can teach you about music contracts.

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It doesn’t take long for partners to become enemies when a record “pops” and royalty checks start rolling in. Rebecca Black’s bizarre path to the Billboard charts has generated buzz about what she’s going to do with tens of thousands of dollars in royalties from YouTube views and iTunes ringtone sales. Except, according to news [...]