Ticketmaster and Venues Experiment with Auction Pricing

Sep 12th, 2006 | By Joe Taylor Jr. | Category: Booking More Gigs and Concerts

Welcome to spinme.com, where we help working musicians make more money making music. If you're new here, you may want to subscribe to our RSS feed or our weekly newsletter. Thanks for visiting!

Instead of selling every seat in the house for $30, INXS recently staged an auction on Ticketmaster. The highest priced ticket sold for $500, the lowest for $3. Nine Inch Nails used a similar model, and watched online scalping drop substantially. Venues and ticket sellers are finally clued in to the idea that pricing for many concerts should be on a bell curve instead of a fixed line. Many superfans are willing to pay top dollar to sit down front, while other folks would be more willing to check out a show if it were, say, $10 instead of $40.

Today’s Wall Street Journal has more details [ subscription req'd ].

What does this mean for independent musicians?

As I talk about in More Gigs Now and in my seminars on the zone booking strategy, it’s more important for your long term success to book a sold out show in a smaller venue than leave seats empty in larger venues — even if that means you make a little less money.

Sold out shows are electric, and they create scarcity in your market. Selling out a show tells your audience that they’ve got to act quickly — and creates a built-in market for your next show in the same zone or the same market.

Flexible pricing takes that to the next level. By offering tickets to fans at every conceivable price level without resorting to giving tickets away or leaving seats empty, everybody wins. You get a sold out show, and every member of your audience feels like they got great value for what they were willing to pay. Most importantly, as Tim McGraw’s manager points out in the WSJ article, artists — not scalpers — get to keep the additional revenue that fans are willing to pay.

Of course, we should all wish for the problem of having scalpers in the first place, right? So, keep focusing on booking small shows and selling them out completely before you book bigger venues. When you’re at the point of doubling the usual cover at a venue, that’s a good sign that you’re ready to move up.

Technorati Tags: , , , ,

If you enjoyed this post, make sure you subscribe to my RSS feed!

Add to:
Bloglines | | Digg it | Y! MyWeb

One Response to “Ticketmaster and Venues Experiment with Auction Pricing”

  1. Theotis Says:

    StubHub held the auction not Ticketmaster http://www.intix.org/news.php?ArticleID=2098

Leave a Reply

You May Also Be Interested In...

TicketMaster Changing The Rules

In the NYT today, an article outlining TicketMaster's expansion into auctions and brokerage. We've already seen them restrict "pre-sales" this...
It’s Easy to Sell a Million CDs
...and so very difficult to sell one thousand. Grant Robertson's on fire over at the Digital Music Weblog, and he's totally...
New CDStreet Pricing — How will it affect you?
We just received a memo from our friends at CDStreet about their new pricing structure. We've been doing business with...
What does it mean to be “fully paid” for your concert appearances?
In researching an upcoming article on music booking agencies, I keep running into a trend that's got me thinking about...
Fewer venues in Canada, too…
The crux of our next book is that, with fewer venues to play, it's crucial for artists and fans to...