The Rollback Happy Face is about to put the hurt on the major labels.

Oct 12th, 2004 | By Joe Taylor Jr. | Category: News

“You’re gonna cut wholesale prices and like it.”

Wal-Mart’s notorious for squeezing their suppliers to get the lowest, lowest, lowest wholesale rates imaginable. Lesser companies have been squeezed into bankruptcy by providing those “Rollback” prices in exchange for the healthy market share that Wal-Mart provides.

Not so for the music industry. Wal-Mart’s been using the Top 40 as a loss leader, paying as much as $12 for an album at wholesale and selling them for $9, in order to get folks into the store. (What a very 1990’s strategy!) Notice that all the records and tapes are in the back of the store. It’s their version of milk in a supermarket.

Those days are drawing to a close. With the advent of private label compilations and “special projects” companies, Wal-Mart can still get hot names on the shelves without paying the majors’ rates. So they’re asking the majors to cut those prices, to bring them in line with their other suppliers.

Wal-Mart is the country’s largest record store. So if the majors want to stay in the game, they’re gonna have to play ball.

Warren Cohen and Steven Knopper are covering the issue for Rolling Stone. I chuckled at the $1.60 artist royalty in their pricing breakdown. We all know where that goes, don’t we?

If you enjoyed this post, make sure you subscribe to my RSS feed!

Add to:
Bloglines | | Digg it | Y! MyWeb

Leave a Reply

You May Also Be Interested In...

Indie label growing pains

It's not often that I see a blog post that draws public responses from the brass at hot indie labels...
Smaller labels: more about love than profit.
Smaller independent labels, which often have a different mission entirely and, unburdened by heavy corporate machinery, have adjusted and even...
Parallel Universes
Diane Rappaport has posted an article at Just Plain Folks that's essential reading. "There are two parallel music universes, one imploding,...
Happy?
Humans are happier when they work for money. Perhaps it explains why so many major label artists are miserable?...
The Economist takes a long view…
From the European perspective, The Economist pegs the failure of major labels on their inability to focus on anything longer...