Radio

David Byrne’s Tracking Webcasting Fees

Apr 17th, 2007 | By Joe Taylor Jr. | Category: Radio

Welcome to spinme.com, where we help working musicians make more money making music. If you’re new here, you may want to subscribe to our RSS feed or our weekly newsletter. Thanks for visiting!From David Byrne’s Journal this morning, in reference to the recent ruling that the copyright panel in charge of setting webcasting licensing [...]



Rules of Engagement for Radio and Independent Labels

Mar 14th, 2007 | By Joe Taylor Jr. | Category: Editorial and Radio

A2IM has published the “Rules of Engagement” document that evolved from the settlement agreement with the country’s four biggest radio chains. In some ways, it feels like a throwback to twenty years ago.
In the pre-web days, to bend the ear of a music director, you had to call the station during “office hours,” a few [...]



KZLA Format Change: “We Work for Our Advertisers”

Aug 19th, 2006 | By Joe Taylor Jr. | Category: Radio

As someone who spent more than a decade working in radio, I often confuse folks in my seminars and my mentoring program when I tell them not to spend a whole lot of time worrying about getting played on the radio.
That’s because a little over a decade ago, radio shifted from being about breaking [...]



Radio Consolidation Causes Unemployment

Aug 11th, 2006 | By Joe Taylor Jr. | Category: Editorial and Radio

The guys at MusicBiz.com, with whom I usually agree on a lot of things, are taking an oddly defensive tone to the recent report from the Future of Music Coalition exploring how government-sanctioned consolidation has choked off a once vibrant industry. [Note: How I wish MusicBiz.com would add permalinks -- by Tuesday, their post will [...]



CD Baby Ripping Off Artists?

Aug 10th, 2006 | By Joe Taylor Jr. | Category: Editorial and Radio

Either someone’s out astroturfing for a competitor of CD Baby, or somebody must have had a freakishly screwed up order. Someone calling themselves John Miller is sending e-mail and posting forum and blog comments to just about every independent music website they can find, claiming that they’re starting up a class action lawsuit against Derek [...]



Music Business Radio: Street Teams and Growing Audiences

Aug 10th, 2006 | By Joe Taylor Jr. | Category: Radio

In all the commotion around our move, I fear I neglected to highlight the episode of Music Business Radio that I did with David Hooper at the studios of Lightning 100 over in Nashville. We ended up spending most of our time talking about how street teams can make or break your music business career. [...]



Public Radio Not Dictated by the Public

Mar 2nd, 2006 | By Melissa Robbins | Category: Editorial and Radio

Have you noticed lately that no matter what station you tune your radio to, you just keep hearing the same songs over and over again? There is a great and looming danger that America is losing any appreciation for quality music. These days, it seems everything is mass-produced under the direction of a very small [...]



Getting Airplay

Feb 21st, 2006 | By Scott Andrew | Category: Radio and Tips

John Richards of KEXP 90.3 FM in Seattle, a bellwether of the indie music movement, shares his thoughts on how to get radio airplay. ‘Nuff said.
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Class Action Lawsuit Against Indie Label Owner

Jan 30th, 2006 | By Melissa Robbins | Category: News and Radio

If you wait by the phone for the day that someone calls you and tells you that with a $5,000+ deposit, they’ll make you famous and distribute your music on radio stations worldwide, do your research before signing over the money. Courtland Tyler, CEO of the Indie label Jetspeed Records, has been targeted in [...]



Baby Steps on Podcast Music Licensing

Dec 5th, 2005 | By Joe Taylor Jr. | Category: News and Radio

Britain’s Association for Independent Music is launching a less expensive mechanical license arrangement for “bedroom” podcasters that opens up access to a small number of current tracks.
The biggest problem for podcasters that want to play music is the licensing double-whammy. Remember that you not only have to license the songs from the appropriate professional rights [...]