Government arts funding’s going away. It’s our job now.
Surviving the squeaky-clean NACA convention
Solving donor fatigue with doner kebab
Bieber’s Grammy Snub, Explained
Top Ten MTV Specialty Shows
Don’t Underestimate the Power of an Audience
2010 Grammy Awards Recap
Talent2K Complaints Return to My Inbox
Can Spotify Satisfy American Copyright Laws?
Fabulous but Unsigned
Music Business Networking on the Decline
The Nog in Boston — No TV During Bands
Rules of Engagement for Radio and Independent Labels
Where the Internet Radio Ruling Comes From
Streaming Radio Shutting Down in the U.S.
A Chronic Shortage of Music Managers
YP.com Still Sending Sneaky Checks
The Company You Keep (aka “Burnlounge Sucks”)
Radio Consolidation Causes Unemployment
CD Baby Ripping Off Artists?
CBGB: Punk’s First Theme Park
Nobody Here Is Hating on Burnlounge. Yet.
Be the Change You Want to See in the Music Industry
How RIAA Litigation Works
Taylor Hicks’ Uphill Battle
What does your mailing list mean if it’s not local?
Public Radio Not Dictated by the Public
What’s your four minute mile?
A digital divide
Musicians MUST Overcome Cocooning
More on the online music debate
Lou Pearlman Has Visited Glamour Shots
CDBaby + Best Buy
Is the iPod hurting music sales?
Arctic Monkeys: Not on MySpace
Arctic Monkeys: Not Invented Here?
Their “Lousy” Year Could Bring Great Things for You
Running your record label like a bakery…
Taye Diggs Seems Sad
My Favorite New Christmas Song
Touring = Revenue
Could Your CD Be the Next “Da Vinci Code?”
You’ve Got Three Hours to Live.
EMI Execs: Just Hanging Out
Warner Music Execs Cash “Obscene” Bonus Checks
Korn’s new record deal sets a bad example.
Ob La Di…